Tetra Bloom Studio

The garden is almost ready

We craft slow, considered tools for botanists and field photographers. Our first kit ships from a small workshop in Asheville in early spring.

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— The Workshop —

Quiet tools for slow looking

Tetra Bloom designs and assembles small batches of botanical field kits in a renovated millhouse outside Asheville. Each kit is hand-finished, signed and numbered, with a guarantee of repair for life. We make no more than four hundred kits each year.

Materials — solid brass, oiled white oak, vegetable-tanned saddle leather, mouth-blown borosilicate glass.
Assembly — by Eli, Marin and Avery, in a shop with a wood stove and an upright piano.
Provenance — every component sourced within two days' drive of the workshop.

What's in the first kit

Loupe (10×)brass + glass
Vasculumoak + brass clasps
Press boardsthree nested
Field journalletterpress endpapers
Pencil casesaddle leather
Compassnickel-plated, dampened
Twine + tagslinen, 20 ft

— A note from Avery —

What the woods ask of us

We made the prototype of this kit one winter for my sister, a botanist working on the eastern hellbender. She asked for something simple: a small box to keep notes dry, a loupe that did not slip from cold fingers, a press that would not crush spring trillium. We made it out of what the shop had, and she gave it back at the end of the season — improved, dented, signed.

The kit we are shipping in March is the eighth revision of that gift, much the same in spirit. The loupe is still brass and still 10×. The press has gained a third board. The journal is now bound by Loren at the Hatchery in Knoxville. The notebook paper has been changed twice and has now changed back. Almost nothing else differs.

— Avery, March, in the millhouse